The Greek painter Stelios Faitakis has painted a mural for the Danish Pavilion in the 54th Venice Biennale.
It is not just a mural. It is a mural with the style and colors of Byzantium. In addition, it is beautiful. You can seat for a long time in the garden outside the Danish pavilion, enjoying the mural.
I had seen photos of it in the newspapers prior to my visit, but could never anticipate the impact the mural had on me.
Another Greek, Katerina Gregos, has been put in charge of the Danish kiosk after a lengthy and transparent selection process. Faitakis was one of the artists selected by Gregos. The mural builds on the tradition of Diego Rivera, but like any good piece of art, it goes beyond it. It tells many stories and it does so in pictures.
The mural comprises six panels. In the remainder I will present each panel, starting from the left to the right.
Panel 1:A photographer in the December 2008 events in Athens, Greece
Panel 4: Wilhelm Reich and the burning of the books
Above the door: Nikola Tesla
Epilogue: The themes on Faitakis’s mural are political, in the sense that they deal with the community, the society, the individual, and power. I do not get a sense of an all encompassing harmony in his synthesis. Most likely there is none. Likewise, there is no universal “message”. Which distinguishes the work from Rivera’s where there was a loud and clear message about the good workers, the bad capitalists, and so on. Faitakis’ world is far more complex. And this is why he can survive his playing with fire. Well done Mr Faitakis!!!! Thank you!!!
Right across from the Danish kiosk is the one representing the United States. There, an art duo from Puerto Rico, Allora & Calzadilla, have placed a tank from the Korean War upside down and on top of it there is an exercise machine, a belt on which an athlete with the USA shirt is running. The noise is horrible, and the sight is nothing to write home about. As for the inside of the USA pavilion, I better not say anything.