La Mezquita in Cordoba – Part IΙ

In the first part, published some time ago, I presented the Mosque of the Mezquita complex.

In the second part I present photographs of the Christian Chapel that has been built inside the complex.

Sheikh Beddredin (Badraldin Mahmoud Ben Israel Ben Abdulaziz): Preacher and Rebel

It is almost ironic that one of the bloodiest chapters of Sheikh Bedreddin’s rebellion in 1416-1420 was written on the Karaburun peninsula, in the Aydin province, 90 km west of Smyrna, or Izmir, the theater of a huge humanitarian disaster in 1922. I wrote about this in the previous post. Now, trying to console my self, I pay tribute to Sheikh Bedreddin, a Sufi preacher and rebel in the first half of the 15th century.

Karaburun peninsula

“Share all you have apart from the lips of your beloved one”

(attributed to) Sheikh Bedreddin

Sheik Bedreddin (or Bedrettin, or Badraldin), was born in the town of Simavna (or Simavne, today in Greece, municipality of Kyprinos, locality of Ammovounio), in the southwest of Edirne (Adrianople) around 1358, the son of a gazi (warrior of the Islamic Faith) and the daughter of the Byzantine commander whose fortress he had captured.

He studied in Adrianople and Bursa, and then he studied philosophy and law in Konya and Cairo he had gone to Ardabil in Ajerbaijan (today in Iran) which was under Timurid domination and the home of the mystical Safaviyya order founded by the Kurdish mystic Sheikh Safi-ad-din Ardabili (1252–1334).

Mawlānā Rumi’s tomb, Konya, Turkey

“The Ottoman seraglio in Bursa and/or Adrianople in the fourteenth and the fifteenthcenturies was open to literary circles interested in Ottoman–Christian interaction. A Sufi and lettrist teacher such as Bistami advertized that he had spent time in Chios ‘with thelearned and virtuous of the Christians’. Sheikh Bedreddin also sought to utilize connections with the Christian world. Owing to the common emphasis laid on psychophysical askesis by both Hesychasm and Sufism and the dissemination of the Greek language, Islamic mysticism could conveniently accommodate crypto-Christian tendencies.Christians and Muslims, Greeks and Turks met on an esoteric and spiritual level and the graecophone Jews (Romaniotes) often assumed the role of mediator. It is no coincidence that the pillar of Roman Orthodoxy, Gregory Palamas, reflected upon his discussions with the mysterious Chionai he met during his Turkish captivity in 1354 to the effect that a symphonia between mystical Islam and his notion of Orthodoxy was only a questionof time. Moreover, adherents of both Bektashi and Hurufi devotions and incipient sectarianisms were familiar with eastern Christianity, directly or indirectly initiating the secret islamization of Christian monks.” (1)

Sheikh Safi al-Din’s tomb

Sheikh Bedrettin had a great feeling for social justice and freedom. He was an adherent of a democratically elected governing model and defended the oppressed Turkish, Greek and Jewish poor people.

Carrier of a mystical universalist tradition with links to Muhyiddin Ibn ‘Arabi,Rumi and Haji Bektash, Sheikh Bedreddin proceeded to an attempt at unifying the three Abrahamic monotheistic religions into a universal religion destined to subvert the Ottoman establishment. Bedreddin’s mysticism had deep roots extending beyond theimmediate Islamic framework.

Haji Bektash Veli (1209–1271)

I open a parenthesis here in order to say a few things about Haji Bektash and his teachings.

Haji Bektash Veli ‘s philosophy was based on love for God, love for humanity, tolerance, sharing, social peace, and honesty. He continuously emphasized the importance of knowledge, wisdom, honesty, tolerance, brotherhood, unity, friendship, and morality. He approached religious and Sufi issues clearly in his book Makalat, which was written based on “four gates” and “forty authorities.” The four gates represent ShariaTariqaMarifa, and Haqiqa, and the forty authorities represent the understanding accepted and followed by Turkish Sufis.The Sufism movement, which started with Ahmed Yesevi in Turkistan, inspired Haji Bektash Veli, Rumi, and Yunus Emre in Anatolia. These three people, being more advanced than their contemporaries, laid the foundations of Anatolian tolerance and understanding.

Those who attended Haji Bektash Veli’s lessons and conversations and followed his path were called BektashiBektashism is an Alevi Sufi order that represents Haji Bektash Veli, and this order has been accepted in the Balkans, Albania, Greece, Bulgaria, Bosnia, Kosovo, Macedonia, Hungary, and Azerbaijan. Bektashism is a teaching that focuses on “the human.” Its aim is to reach a level of competence and perfect human status known as Insan-I Kamil, and a training process is essential to reaching this level. The system can be summarized by saying, “Be the master of your hand, waist, and tongue.” It requires free minds that are always thinking. Their philosophy is far from fanatical, and it requires a loving approach toward God. The collaboration of both men and women is highly crucial in this philosophy.

Close parenthesis.

Musa Çelebi (?-1413)

Bedreddin developed pantheistic ideas, building on the work of Ibn Al’ Arabi on the “Oneness of Being”. Ibn Al’ Arabi never used the term, but the idea is implicit in all his writtings.

“The doctrine of “Oneness of Being” sought to eliminate the oppositions which framed life on earth – such as those between religions, and between the privileged and the powerless – which were considered to inhibit the oneness of the individual with God. The struggle for oneness gave the mystic an important role for it was he, rathen than the orthodox cleric, who had the wisdom, and therefore the task, to guide man to union with God  ” (2)

Though his religious universalism was not necessarily incompatible with his role as head kadi (military judge) under Musa Çelebi (1411–1413), it appears that at a time of economical and political instability his mystical-reformist movement grew fast in the European part of the Ottoman Empire.

Musa Çelebi’s rule soon encountered problems.

“He began to resent the power and wealth gained by the gazi chiefs through booty and timars, and turned increasingly to the servants of the palace (kapikullars), transferring positions and timars to them, while ordering the gazis to stop their raids into Christian territory. At the same time, Beddredin’s doctrines, while appealing to the impoverished masses, were abhorrent to the orthodox religious leaders and Turkish notables alike, so that the latter began to plot to eliminate the regime as rapidly as possible.  The conservative religious leaders openly criticized Bedreddin as heretic and demanded that Musa remove him. This doctrine was potentially highly subversive of evolving Ottoman efforts to establish through conquest a state with Sunni Islam as its religion and their eponymous dynasty at its pinnacle.” (3)

In 1413 Mehmet I (reign 1413 – 1421) overthrew Musa Çelebi and crowned himself sultan in Edirne. He restored the empire, and moved the capital from Bursa to Edirne

Mehmed I Celebi

Mehmed I exiled Sheikh Bedreddin to Iznik. At the time, Bedreddin had already achieved considerable mass following, and the economic consequences of a long period of military campaigns added to his popularity among the impoverished. From Iznik Bedreedin worked to rebuild his order, sending out preachers to spread his message and  organize secter cells of supporters.

Afraid of what Mehmed I might do to him in his Iznik exile, Bedreddin fled to Samsum in 1415, hoping to get support from the Candar (Jandar) beylik (principality). However, the beylik smelled trouble and sent Bedreddin away to Rumeli, in Wallachia, where Mihail, Mircea’s son was the ruler. Mihail gave Bedreddin material support to raise a revolt in the European part of the Ottoman Empire.

The Rebellion of 1416, probably the largest in Ottoman history, began in 1416 and took place on two fronts—the western coast of Anatolia and the Zagora region of Bulgaria.

Sheikh Bedreddin

While Bedreddin was preaching in Rumeli, his supporters raised several revolts in Anatolia. It seemed very likely that a popular protest might sweep the Ottomans out of Anatolia altogether.

Sheikh Bedreddin’s revolt was short lived.

After the revolt was put down, Bedreddin was judged and executed in 1420 at Serez (Serres), accused of distrurbing public order by preaching that property must be communal and that there was no difference between the various religions and their prophets.

He was buried in Serres. His remains were transferred to Turkey in 1924, at the time fo the Greco-Turkish population exchange, but did not find a final restin gplace until when they were burried in the graveyard around the Mausoleum of Sultan Mahmud II, near the covered market (bazaar) in Istanbul.

Sheikh Bedreddin’s Tomb

The Turkish poet and Nobel Laureate Nazim Hikmet wrote a poem inspired by the rebelious Sheikh “The epic of Sheikh Bedreddin”.

Returning to the lake,

Bedreddin spoke to himself:

“That fire in my breast has ignited

And is mounting with each day.

Even were my heart forged of iron,

It could not endure this fire. It would melt!

The time for me to emerge and burst forth has come!

The time for we men of the land to rise up

And conquer the land has come!

And we shall see confirmed

The strength of knowledge, the secret of Oneness!

And we shall see canceled

The laws of all nations and religious sects!”

Nazin Hikmet

Sources

(1) Sect and Utopia in shifting empires: Plethon, Elissaios,Bedreddin, Niketas Siniossoglou, University of Cambridge, Byzantine and Modern Greek Studies Vol.36 No. 1 (2012) 38–55

(2) Osman’s Dream, Caroline Finkel

(3) History of the Ottoman Empire and Modrn Turkey, Volume 1, Stanford Shaw

La Mezquita in Cordoba – Part I

I am not familiar with Islamic art. But my recent visit to the Great Mosque of Cordoba in Spain was an ecstatic experience. This is the first part of an article on the Mezquita of Cordoba.

Detail from the Door of the Dean

I start with some history, borrowed from the vast resources of the Metropolian Museum of Art in New York, then continue with a short tour of the outside, and conclude the first part with the entrance in the Mezquita and the first impressions and feelings.

“On July 19, 711, an army of Arabs and Berbers unified under the aegis of the Islamic Umayyad caliphate landed on the Iberian Peninsula. Over the next seven years, through diplomacy and warfare, they brought the entire peninsula except for Galicia and Asturias in the far north under Islamic control; however, frontiers with the Christian north were constantly in flux. The new Islamic territories, referred to as al-Andalus by Muslims, were administered by a provincial government established in the name of the Umayyad caliphate in Damascus and centered in Córdoba. Of works of art and other material culture only coins and scant ceramic fragments remain from this early period of the Umayyad governors (711–56).

When the Umayyad caliphate of Damascus was overthrown by the Abbasids in 750, the last surviving member of the Umayyad dynasty fled to Spain, establishing himself as Emir Abd al-Rahman I and thus initiating the Umayyad emirate (756–929). Abd al-Rahman I (r. 756–88) made Córdoba his capital and unified al-Andalus under his rule with a firm hand, while establishing diplomatic ties with the northern Christian kingdoms, North Africa, and the Byzantine empire and maintaining cultural contact with the Abbasids in Baghdad. The initial construction of the Great Mosque of Córdoba under his patronage was the crowning achievement of this formative period of Hispano-Islamic art and architecture.”

(Source: The Art of the Umayyad Period in Spain (711–1031) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art).

Aerial view of the Mezquita in Cordoba (source: Wikipedia)

The Great Mosque of Cordoba was built over a period of three centuries, from the 8th to the 11th. It is a rectangle with a orange tree court with a basin adjacent to it. This court is the oldest Moorish garden in Spain (marked as 7 in the plan that follows).

The concept was to imitate if not exceed the Great Mosque of Damascus.

At the edge of the tree line at the bottom of the photo is the bank of the famous river, Guadalquivir. The plan of the Mezquita that follows is “turned upside down” compared to the photo. The river is at the top. The resolution of the plan is high so that you can download it and view it in full resolution for the details.

The Minaret, enveloped by a Baroque Tower in 17c

Door of Forgiveness (1 in the plan)

Puerta San Esteban (Door of Saint Stephen) - Marked 3 on the plan

Puerta

Puerta San Miguel (Door of Saint Michael’s) – Marked 4 on the Plan.

Door of the Psalms, viewed from the Orange Tree Court – Marked 6 on the Plan.

Carved wooden beams in the cloisters – detail (Marked 8 on the plan)

When the Moors first arrived in Cordoba, they were content to share the Visigothic Church of Saint Vincent with the Christians. When this became insufficient, AdbAl-Rahman purchased their part and started building  the Mosque (marked 9 on the plan) with 11 aisles, opening onto the Orange Tree Court. The architectural innovation in the mosque was the superimposition of two tiers of arches to give added height and spaciousness. They used marble pillars and Roman stone from St Vicent’s Church and other buildings in the area.

Once you are inside (you enter in the area marked 8 on the plan) you get overwhelmed by the “forest of pillars” as one traveler put it, and the  completely new feeling of space. It is as if space is distorted, but yet it returns to its normal state, If there is one thing that I will never forget from my visit there is this “feeling” of space. The last time I felt this was when I visited the Chillida museum in the Basque country. The photos cannot convey this feeling, but you get an idea.

This is one of the corridors that take you from the entrance to the Mihrab (marked 13 on the plan), which you can barely see at the end. The two pillars at the beginning of this corridor are supporting the Christian Cathedral that is almost embedded in the Great Mosque. In the photo below you see the parallel corridor on the left as we face the Mihrab.

As I walk down this corridor with direction towards the Mihrab, I get to see some of the marvelous arches within arches of the Great Mosque.

With these first impressions of the inside area, I conclude Part I of my visit to the Mezquita of Cordoba.

In Part II I will cover the Christian Cathedral and the area of the Mahrib.