A surprise discovery in Toscana – Castello Vicchiomaggio

Surprises abound in life, and this one was a good one!

I was driving on Chianti Road, on my way from Florence to Panzano, to visit my friends Kim and Dario, and I got hungry. Although it was after 2 o’clock which in Italy is late for lunch, I was hoping to find something. I was not looking for a full meal, just a light one and a glass of wine.

In any case, I saw a turn of the road to the left and decided to follow the narrow winding road.

yardAfter a couple of kilometers I arrived at a beautiful spot on top of a hill.

I parked the car and went to explore the building.

insideIt was an old residence, and had the name “Castello Vicchiomaggio”.

It even had a chapel inside.

chapelI went to the dining area, where a few people where finishing their meal.

The kind waiter informed me that the kitchen was closed but they could get me a salad and some antipasti. Perfect!

dining_roomThe last guests left, and I had this huge area for myself.

insalataA wonderful fresh salad, was accompanied by prosciuto, salumi and pecorino.

salumiThe wine was produced by the owner of the castello, John Matta, and it was fantastic for lunch.

wine_petriThe waiter finished his work and came to play the piano in the dining area. He started with some light tunes I did not know, We started talking and the discussion came to opera. All of a sudden, he played “Nessun Dorma”, the famous aria of Puccini’s Turandot. He smiled and thanked me for listening.

from_above

On my way out I checked the front side of the castello, and saw the pool and the magnificent view!

What a surprise!

P.S. I later checked on the internet and saw that John Matta is one of the best winemakers in the area.

Woman Combing her Hair

Updated 21 February 2024

Women combing their hair has always been a magnificent and revealing image for me.

I start with a solemn piece by Munch, who opens this small collection of pictures. I love the red, the fiery orange and dark yellows, in contrast with the cool colors of the window. There is a sense of transience in the picture, the young woman is ready to do something else, go out and enjoy life, open the window for good, this little ceremony is like the last thing she does before delivering herself to the world. She is ready to enjoy life, she does not have much time for brooding and contemplation, she gets the job done as required, but this is about it!  The sure sign of this psychological posture is the fact that the woman is fully dressed when she is combing her hair, and she is standing.

MunchNo1-325x413
Edward Munch – Woman combing her hair

It may be the length of the hair (οι βοστρυχοι στα ελληνικα) it may be the serenity of the process, it may be the curved body parts, it may be the fact that in the process the woman is reflecting upon her appearance or something else.

Whatever it is, this type of  image speaks to me.

Dante_Gabriel_Rossetti_-_Lady_Lilith

Rossetti’s Lady Lilith (1863) is combing her hair and watching herself on the hand held mirror. The first wife of Adam has a lot to think about and to contemplate while watching her own beauty on the mirror. The atmosphere of the picture is gloomy and totally inward. Lady Lilith is not interested in anything really, but herself. This morbid narcissism is totally captivating in the picture. It is after all, a picture of vanity. The simple act of combing the hair becomes an open door to the woman’s personality. Her naked shoulder is escaping from the gown and is a clear sign of the intense carnal aspect of the picture. Although she is not naked or half dressed, this may be even more powerful.

Renoir is here painting the innocence and quite anticipation of the young girl in a fantastic way! The contrast of the browns and the beige with the flesh and the white night gown is startling. The purity and magnificence of the innocent is portrayed in the picture. Here, we see that this is really a portrait, not just a portrayal of the act.

The-Coiffure-Aka-Young-Girl-Combing-Her-Hair-large
Young girl combing her hair

The subliminal Titian is here painting the wife of one of his clients, who emerges triumphant from the act of combing her hair, and is helped by the servant who humbly looks down. She is not primarily a sexual agent, she is primarily a woman in charge. Her sight is full of determination, whether this refers to the hair or something else. She is a woman who means business and nothing else.  The posture of the servant is exemplifying the power as virtue that the picture radiates. The colors of the gown and shirt of the lady are not accidental. She is a creature of black and white.

308496832_cfd9cb8362
Titian

Let me now move to pictures that are made by Edgar Degas in the last decade of the 19th century. One of the reasons I fell in love with Degas was his mastery of this subject.

ng_combing_hair_600
Edgar Degas: Combing the hair (1892-6)

Here we have an orgy of reds, oranges, mixed with pink and the combing is done by a domestic helper. The young woman is totally left to the hands of her servant, maybe asleep, maybe dreaming. In stark contrast, the helper is awake, alert, and diligent in performing the task. The only sign that she may be awake is the posture she makes with her left hand.

oslo_hair

This is a similar picture of Degas, but the combing here is done most likely by the sister of the young girl. The most beautiful part of the picture is the bent hand that supports the hair.

P a b l o – P i c a s s o, Hairdressing, 1906

balthus_alice

What a change when we move to the endlessly fascinating Balthus and his Alice! Alice is practically naked, and exhibits her beauty unashamedly. And why not?

She is young, she is beautiful, there is nothing to worry about, but the extent to which she will enjoy the pleasures of life. The room is empty, there is only one chair, we cannot make out her social class or status. Does it matter? I believe this is one of the points made by Balthus.

toillette_de_cathy

Cathy’s Toilette is a violent vibrating picture of domestic life gone on the rocks.

As I go through a period of preparation for my long anticipated trip to Japan, I include a serene picture from Japan.

onna
Onna

“Scene of combing hair” (髪梳き), a 1977 (Shōwa 52) kappazuri-e / stencil print, by 20th century Japanese sōsaku-hanga (創作版画, creative prints) artist Mori Yoshitoshi (森義利, 1898-1992) who specialised in such pictures.

tate_hair

Another Degas picture, whose colours I love.

Degas, Edgar; Femme se peignant (Woman Combing Her Hair); Pallant House Gallery; http://www.artuk.org/artworks/femme-se-peignant-woman-combing-her-hair-308612

Edgar Degas, ‘Femme se peignant’, c.1887-1890, Charcoal and red and brown chalk on tracing paper laid down on board, Pallant House Gallery, Chichester (Accepted by HM Government in Lieu of Inheritance Tax from the estate of Stephen Brod and allocated to Pallant House Gallery, 2016) 

This drawing by Edgar Degas was once owned by Gladys Deacon, an American socialite whose beauty inspired authors, royalty and artists alike.

Deacon was a prolific collector during the early 20th century, owning works by artists including Rodin, Degas, and Toulouse-Lautrec. Marcel Proust once wrote of her “I never saw a girl with such beauty, such magnificent intelligence, such goodness and charm.” And with such a lot of works by Impressionists, it seems!

This work, borrowed from Pallant House Gallery, is currently (February 2024) on display in the ‘Impressionists on Paper exhibition’ at the Royal Academy of Art in London.

Lini e Lane di Firenze, Catalog 1961 – Table Setting and Etiquette – A journey back in time

Today I want to share with you fragments of the 1961 catalog of the house of  “Lini e Lane di Firenze”. I discovered it in the papers of my mother. It is a journey back in time, and for me a journey of reminiscence.

I start with the cover page of the catalog.

coverThe content is entirely dedicated on the breakfast, lunch and dinner tables. The text is in French.

example_asfodelloasfodello_textI continue with some rules regarding the setting of the table.

The first is the normal way as the authors call it. A basic rule is that the napkin must be simply folded and on the plate.

setting1

Moving on to the more formal arrangements.

We can now state more basic rules.

Most important of all, is that the whole composition must be balanced, all items gravitating towards the undeniable center, the dinner plate.

Utensils are placed in the order of their use, starting from the outside. (Careful with the salad, as in France it is served last!)

Forks are always placed on the left, knifes on the right.

Dinner plates should be 2,5 to 3 centimeters from the edge of the table.

setting2Here comes the text for the setting.

setting_textBut this is not all! We have rules for seating the guests.

seatingAnd the rules for serving!

serving_orderNow is the time to have a look at another example of table setting.

This is a rather casual setting, to lighten things up!example_casual

This is all for today, have a great morning, evening, night, whatever you want it to be!

P.S. This is dedicated to Despinarion, who inspired me with her beautiful post of reminiscence a few days ago. Thank you Despinarion!

Timbale a la Greque

servedToday I have prepared a dish that belongs to the family of Italian timbale, but I have changed the ingredients to a considerable degree. The overall concept remains the same. The timbale is a big stuffed drum. What has inside varies, as well as its skin. zucchini

I decided to use eggplants and zucchini in the stuffing, combined with penne pasta and ground pork meat. Here it goes.

I got the round zucchinis that I like very much and fantastic bell shaped eggplants and fried them in olive oil.

detail_meat_startFor the meat I got a nice chunk from the upper leg, that had some fat in it. I then browned the meat with onions, one red and one green pepper.After browning, I added tomato paste and two chopped fresh tomatoes.

detail_meatI let the meat to simmer in low heat for one hour.

eggplants_zucchini_detailAfter frying the vegetables, I let them rest on paper, while I prepare the dough for the skin of the timbale. I made it like a rich bread, in order to adsorb all the juices of the vegetables and the meat without becoming excessively soft.

In parallel, I prepare the penne “al dente” so that they do not disintegrate when they cook inside the timbale.

We are now ready to integrate and compose.

Lay the dough on a bell shaped baking dish and work it with your hand so that it covers most of the surface of the dish. I added olive oil and sesame seeds in the dish prior to spreading the dough.

step-1Add the vegetables and slices of parmesan cheese.

step-2Add the penne.

step-3Add the meat and make sure you have at least 2 centimeters to the rim of the dish, as the dough will expand in baking.

ready-to-bakeAdd a layer of dough at the top, spread egg all over to give it a nice golden color, and bake in the oven for one hour, in 250 degrees centigrade. Stick a nice in the timbale a couple if times, to let the steam out.

baked-and-servedOnce baked, let it rest for 15 minutes, then serve on a round dish. A very sharp knife is required when serving.

grand_detailLet the timbale warm your heart with its harmony of smells and tastes!

Red Shoes all … over and over again

I am fascinated by red shoes

stripesfrom small to big

 rote-schuhe-pumps

from cycling

amsterdam

to walking

ether

from casual

dots

to formalfishnet

 from sporty

sporty

to bloody

blood

from totality 

killer

to partiality

9500763

P.S. I dedicate this post to Roula and Orfia, who inspired me yesterday with their ” shoes ” comments.

Leek pie – Πρασοπιττα

I was inspired to prepare a leek pie after I saw some beautiful leeks in the market. Here it goes.

leeksSlice them as thin as possible and brown them in olive oil.

pancettaAdd finely chopped cured pancetta (if you do not have it, bacon will do).

mixAdd a couple of finely chopped dry onions and parseley to colour and add taste, coarse sea salt and pepper.

mix-with-yogurtRemove from the heat and let it rest and cool. Add a couple of eggs and a quarter of a kilo of strained yoghourt.

Grate two large apples and add to the mix.Add a spoonful of cracked wheat, and 100 grams of parmesan.

bakedBake in 200 degrees centigrade for one hour.

servedServe and enjoy.

detail

It is a simple, easy to do pie, but the result I am sure will satisfy you and your guests in the table.

Barcarolle (Belle nuit, ô nuit d’amour) music to go with our Lancia Powerboat experience

I had the worrying feeling that something essential was missing from the Lancia Powerboat post, and now I know what it was!

The music! La musique! La musica!

The glorious uplifting element of our spiritual and sensual lifes!

What else could be better than the Barcarolle (from Jacques Offenbach’s opera Les Contes d’Hoffmann “The Tales of Hoffmann)? There is a gondola (now replaced by Lancia Powerboat) there is Giulietta, now played by Cristanel, There is a Poet who as a result of his unconditional love for Giulietta loses his other self, his reflection. And of course, Deppartutto, who is behind all the misfortunes inflicting the Poet.

sunset

Le temps fuit et sans retour
Emporte nos tendresses,
Loin de cet heureux séjour
Le temps fuit sans retour.

Zéphyrs embrasés,
Versez-nous vos caresses,
Zéphyrs embrasés,
Donnez-nous vos baisers!
vos baisers! vos baisers! Ah!

Belle nuit, ô nuit d’amour,
Souris à nos ivresses,
Nuit plus douce que le jour,
Ô belle nuit d’amour!
Ah! Souris à nos ivresses!
Nuit d’amour, ô nuit d’amour!

English Translation

Time flies by, and carries away
our tender caresses for ever!
Time flies far from this happy oasis
and does not return.

Burning zephyrs,
embrace us with your caresses!
Burning zephyrs,
give us your kisses!
Your kisses! Your kisses! Ah!

Lovely night, oh night of love,
smile upon our joys!
Night much sweeter than the day,
oh beautiful night of love!
Ah! Smile upon our joys!

Night of love, oh night of love!

I start with the orchestral version, and continue with the opera aria.

The singers are Agnes Baltsa (“Giulietta”) and Claire Powell (“Nicklausse,” Hoffmann’s muse). A 1980 performance by The Royal Opera, Covent Garden, cond. Georges Pretre.

For those of you interested in the opera, I attach a synopsis of ACT III courtesy of the Metropolitan Opera of New York.

ACT III. In a Venetian palace on the Grand Canal, the courtesan Giulietta joins Nicklausse in a languid barcarole. Hoffmann abruptly changes the mood as he mockingly praises the pleasures of the flesh. Giulietta’s current lover, Schlemil, jealously acknowledges her apparent affection for Hoffmann. Giulietta invites her guests to the gaming tables, but Nicklausse remains behind to warn Hoffmann against forming any attachment to the courtesan. The poet denies interest in her, declaring that should he fall in love with her, the devil may have his soul. Dappertutto, overhearing them, produces a large diamond with which he will bribe Giulietta to steal Hoffmann’s reflection, just as she already has stolen Schlemil’s shadow. Lured by the diamond, Giulietta agrees. She seduces Hoffmann, who is about to depart, and he falls in love instantly; during a passionate duet, she carries out Dappertutto’s command. Schlemil returns, accusing Giulietta of having left him for Hoffmann. When Dappertutto comments on the poet’s pallor, Hoffmann asks for a mirror and realizes with horror that he has lost his reflection, but he is trapped by his infatuation. As the guests depart, Hoffmann demands that Schlemil give him the key to Giulietta’s room; when Schlemil refuses, Hoffmann kills him in a duel, with a sword proffered by Dappertutto. Taking the key from his rival, Hoffmann rushes to Giulietta’s room, only to find it empty. Returning, he finds her leaving the palace with yet another admirer, the dwarf Pitichinaccio, whom she embraces….

The Lancia Powerboat unveiled in Venice with Catrinel

I love Venice

lancia-powerboat-catrinel (3)I love speed

Lancia_Powerboat_002I love elegant design

4788991Lancia and Martini Racing have unveiled the Lancia Powerboat in Venice!

lancia-powerboat-presented-with-topmodel-catrinel-1I will not look into the numbers.

the-lancia-powerboat-launched-in-venice-10604_2I am speechless. I just open my eyes and appreciate the fact that I can see  what is in front of me.

3722139I am …

1657178I try to let myself  free of any thought, so that I can feel the beauty as it penetrates my cells.

Lancia_Powerboat_001It is Apollo or Bacchus who wins this one?

469331

LANCIA PRESS RELEASE

The Lancia Powerboat

The concept

Like a car, a boat distinguishes its owner.
Lancia shares common values with performance boating, typified by the pleasure derived from a unique form of travel.
Lancia’s association with the sea dates back many years and involves sailing as well as powered boating. From the Flaminia class speed boats of the 1960s to the Monaco Classic Week 2009.
Now, Lancia’s first powerboat is making its debut in Venice, a city where roads and cars are replaced by canals and boats – or launches (lance) as the Venetians prefer to call them.
The stage chosen for the event is the Venice International Film Festival, of which Lancia is main sponsor. While Lancia cars accompany celebrities to and from Palazzo del Cinema, the Lancia Powerboat will be carrying others to and from the moorings of the Hotel Excelsior.
The new boat has been developed jointly by four Italian companies, each leader in its own sector: Sacs, who produce luxury RIBs; FPT, a company in the Fiat Group and manufacturer of the “best in class” engines and Martini, regular partner of Lancia in the field of racing.

Boats and glamour

Lancia’s involvement with boats dates back to the company’s origins. Back in the 1920s, the company’s founder, Vincenzo Lancia himself, drew inspiration from the ribbing of boat hulls to design the monocoque body shell of the Lancia Lambda, an innovation that changed car design for ever. Over the next decades the link between Lancia’s prestigious cars and the yachting world grew even stronger, resulting in the creation of a special class of speed boats in the 1960s. Flaminia Class boats were three point racers powered by the same V6 engine as the Lancia Flaminia car. In 1980 Lancia sponsored the J24 sailing class, and in 1987 the finals of the One Ton Cup in Naples. Later, Lancia was behind the Azzurra boat in Italy’s challenge for the America’s Cup, as well as the Destriero, the boat that won the Blue Ribbon Atlantic crossing race with Cesare Fiorio, winner of six world rally championships and racing director of Team Lancia. For demonstration purposes a Class 2 offshore powerboat was even equipped with the 8.32 Ferrari engine used to power a special version of the Lancia Thema. In more recent times, Lancia has become a partner of the Monaco Yacht Club and sponsored the 2008 Viareggio-Montecarlo-Viareggio power yacht race. Lancia sponsored the Monaco Classic Week in 2007 and is doing again this year, the centenary year of the Yacht Club’s flagship, the Tuiga.
It should also be remembered that Lancia’s latest model, the Delta, is now the inspiration for a competition announced in Yacht Design magazine, with five of Italy’s most prestigious marine design studios invited to re-interpret the car in a marine key. The proposed designs will be presented at the Monaco Yacht Club on the 24th September, during the Monaco Boat Show.

Cinema, fashion, design and marine sport are the stages that Lancia has chosen to consolidate its presence and highlight the class and style of Italian products.
The Venice International Film Festival brings all these elements together and is therefore an ideal opportunity for Lancia to take to the water, in the company of stars of the cinema.

Partners

Lancia is continuing its historic partnership with Martini, acting as technical sponsor for the Lancia Café in Venice’s Hotel Excelsior.
Sports fans are sure to spot the distinctive red, dark blue and light blue stripes of the Martini Racing Team, enhancing the elegant livery of the Lancia Powerboat and evoking the domination of Lancia and Martini, first in the world rally championships of the 1980s and later in offshore class 1 powerboat racing. The continuing partnership between Lancia and Martini confirms the affinity of these two icons of Italian style for sport and elegance.
Martini, Lancia and Sacs provide the lifestyle and “joie de vivre”, while the Fiat Powertrain Technologies provide the exhilarating engines.

The Lancia Powerboat

To get you moving on the water, Lancia has embodied all the aristocratic elegance of a great sports coupe into a boat built by Sacs. Sacs has twenty years of experience in producing all types of RIB, and is world leader in high-tech luxury RIBs. The Lancia Powerboat is the ultimate expression of this type of vessel.
The boat was designed, modelled and built using the advanced tools and equipment that have established Sacs as the sector’s technical leader.
The Lancia Powerboat is the creation of Christian Grande, one of today’s most talented boat designers, and the genius behind concepts that extend beyond the confines of boat design into the realm of dynamic art.
Each individual boat is unique, manufactured industrially, but finished with all the care and attention of a master boat-builder. The fibreglass hull is made using moulds finished by robot milling machines. Every component is then assembled and installed by hand to permit each boat to be personalised to customer specifications. In this way Sacs combines industrial levels of productivity with all the exclusivity of ‘custom’ production.
The Lancia Powerboat will be presented to the public at the Genoa Boat Show.

Characteristics

The hull is 13.10 metres in length, with a broad beam of 3.83 metres. These figures give a moderate coefficient of fineness, in search of balance between performance and comfort on board. A limited draft of only 0.80 metres permits navigation even in shallow waters. A weight to power ratio of about 7.5 kg/HP establishes the boat as one of the most powerful available. The two N67-560 engines by Fiat Powertrain Technologies are “best in class”. The choice of JMD propulsion, as used in competitive powerboats, typifies the quest for high dynamic efficiency, not only for speed purposes, but to reduce consumption and emissions by ensuring maximum screw efficiency too. The fuel tank has a capacity of 1000 litres, giving sufficient autonomy even for long crossings. Cruising speeds range from 15 to 45 knots, while top speed under ideal loading conditions tops 55 knots. The Lancia Powerboat can carry up to 11 persons, and has a cabin to sleep two.

The modelling and finish of the exterior surfaces faithfully reflects Lancia style. Designed by Christian Grande, the Lancia Powerboat is characterised by an aggressive yet balanced profile, with perfectly proportioned bow, cockpit and stern. The hood blends perfectly with the lines of the boat, thanks to a low profile that accentuates the vessel’s sporting character. You can nevertheless stand up in the cockpit even with the hood in place, if you want to drive in maximum comfort and total privacy. The bow deck incorporates two sunbathing mattresses to either side of the central walkway that leads to the bow like a catwalk for passengers to embark and disembark. In the same way, the engine covers at the stern are upholstered to create a second sunbathing area, with another walkway leading to the bathing platform. The windows are design elements of special importance, each with a specific function and style. The side windows accentuate the boat’s aggressive character; the windscreen opens to the bow gangway, and the rear window evokes the fascinating style of a classic car. The RIB tubes are largely incorporated into the hull, emerging only where their presence serves to facilitate manoeuvring in tight spaces without the need for fenders. The tubes also ensure unsinkability by providing a number of separate air compartments. Rows of LEDs under the transom and front windscreen simulate the appearance of modern Lancia car lights and emphasise the advanced technology and racing temperament of the FPT engines. The deck expresses the boat’s dynamism, with every aspect designed, shaped and finished to convey a sense of movement even when the boat is stationary. No perimeter handrails protrude to compromise the purity of the boat’s sensuous lines. Passengers are nevertheless well protected by tall inboard backrests and experience a sensation of greater stability than normal thanks to the low cockpit floor. The sky is yours at the touch of a button too! The hood retracts into a dedicated compartment leaving the full beauty of the cockpit open to the sun. Martini Racing graphics add a final sporting touch. A fold-away LCD television and a galley complete the cockpit equipment.
In the cabin, furnishing is characterised by modern shapes and materials, and the lounge converts quickly to a double bunk. Air conditioning lets you escape from the heat of the sun and cool down. Bathroom facilities are minimalist but impeccably finished. There are even coloured LEDs to provide romantic lighting in the shower.

The driving experience

The Lancia Powerboat is the ideal choice for owners of character, lovers of speed who would never think of giving up the wheel because that would mean losing control over so much power. 1120 horsepower, delivered at 3000 rpm, propel you at up to 55 knots. The Fiat Powertrain Technologies N67-560 engines develop ideal torque and power curves for marine use, with bags of thrust at low engine speeds to get the hull planning effectively. Driving the Lancia Powerboat is a ‘not to be missed’ experience, and offers you the choice of moderating power as you would in an elegant saloon or using it to the full as you would in a thoroughbred racing boat. The choice is entirely up to the driver. The hull’s profile in the water has been carefully designed so that anybody can drive the boat just like a Lancia car, but with the added excitement of travel without limits. If you want a more stimulating experience, all you have to do is adjust the trim of the propulsion. Two buttons on the throttle levers modify the propulsion angle to move the screws higher or lower in the water. This changes the angle of the hull with respect to the surface of the water, increasing speed or stability in rough water. The hull is derived from a Sacs racing prototype, and does not need flaps, making it especially easy to drive. The engines are controlled by electronic levers that operate the throttles and smoothly engage forward and reverse propulsion. The engines respond instantly, giving you complete control over available power, and allowing you to turn and negotiate waves with speed and precision.

FPT engines

FPT – Fiat Powertrain Technologies is the Fiat Group company specialising in the R&D, production and sale of engines and transmissions for automotive, industrial, marine, power generation and railway applications.
The FPT engine range spans 20 to 1020 HP, and displacements from 1,000 to 20,100 cc.
FPT is one of the world’s leading power train manufacturers, and boasts over a hundred years of experience through different brands. In 2008, output reached 2.9 million engines and 2.4 million gearboxes and axles. FPT employs a workforce of around 20,000 (including 3,000 highly qualified engineers), in 16 production plants and 11 research centres (two of which are dedicated to advanced research) located in nine different countries.

FPT’s N67-560 diesel engines are best in class, as their main specifications clearly show: weight to power ratio is 1.16 kg/HP; power to displacement ratio is 83.58 HP/litre; and volume to power ratio is 1.2 dm3/HP. The N67-560 engine is derived from the N67-450. Various changes have been made, however, making the new engines far more suitable for racing use without losing any of the reliability for which FPT’s touring engines are famed. Technical developments include the use of a higher class of turbocharger for better boost and air flow. Injector operating pressure and atomiser flow have also been increased to inject more fuel in less time. Combustion chamber design has been modified to improve efficiency while also reducing combustion pressure in order to extend engine life. A new air/water heat exchanger has been installed to reduce intake pressure drop and lower the temperature of the combustion cycle. The flow rate of the oil pump has also been increased to improve lubrication. Finally, ‘ladder frame’ reinforcement ribbing has been added to the bottom of the cylinder block to absorb the stress of high speed operation on water. Prior to selection as power unit for the Lancia Power boat, the N67-560 engine was tested in endurance racing at even greater power outputs. Because of the durations and speeds involved, endurance racing provides the toughest dynamic testing to which any marine engine can be subjected. The victory of four N67 engines in the prestigious Cowes-Torquay-Cowes race in 2008 is tangible proof of the excellent performance of the turbo diesels in FPT’s N series, which includes 370, 400, 450 and 480 HP engines.

Venice, Lancia Café, 4th September 2009

 

Beef and Pork Stew with dry white beans

Today’s  dish is a stew with dry white beans.

The meat in the stew is beef and pork. pork

I dice the meat and brown it with olive oil.

pork_beef_sauteedIn the same pan I then put sliced green peppers, onions, parsley and celery.

peppersI put the peppers alone at first, and then add the other ingredients.

peppers_onions_celery_parslWhile all of this is taking place, dry white beans from the northern city of Drama are boiling in water.

white_beansWhen the peppers, and onions are soft, I add the meat and half a bottle of good red wine, some slat, pepper and cover the pot. The meat must now cook in medium to low heat for at least one hour.

meat_readyWhile the meat is slowly cooking, I put half of the beans in a mixer and puree them. I spread  them in a baking tray with olive oil.

pureeOn top I add the rest of the beans, and spread them evenly. I add a lot of juice from the stew and bake for one hour in 200 degrees centigrade. To avoid dehydration of the beans, in the first thirty minutes cover the tray with aluminum foil.

beans_readyTo serve, cut a rectangle of the beans and serve the meat next to it.

servedWhat I really like about the dish is the combination of textures in the beans, accompanied by the aromas of the meat stew. IMG_1871

The particular beans I used in the dish are strong in flavor, almost to the point of the bean paste tasting like chestnuts! IMG_1870To accompany the dish, as a matter of fact to announce it, I prepared zucchini rolls with pastirma. Easy peasyFry sliced zucchini in olive oil and dry in kitchen paper.

zucchiniSlice pastirma very thinly. To avoid overpowering the zucchini with the pastirma, cut the slices very thin and short.

pastirmaTake a zucchini slice, add some pastirma, about one third of its length should be covered by the pastirma slice, roll it up and let it rest on the serving dish.

appetizerThese little bites are dynamite! I was quite surprised by the harmonious collaboration of the gentle soft and almost unspoken zucchini with the explosive pastirma!

And do not forget a good red wine to accompany the dish, I would recommend a Xinomavro from Northern Greece.

Salve!

Braureigasthof Ayinger, Aying, Bavaria, Germany

Aying is a beautiful small village, about 20 kilometers outside Munich.

IMG_1383Its pride over the last 130 years is the Brewery Ayinger, which produces some of the best beer I have ever tasted.

State of the art facilities in Ayinger Braurei
State of the art facilities in Ayinger Brauerei

It is estimated that there are more than 650 breweries in Bavaria today.

Johann Liebhard, the founder of the Brewery
Johann Liebhard, the founder of the Brewery

I visited the village as part of my fall visit to Munich, following a suggestion by Manolis, who had spotted the place. We had lunch at the restaurant that is owned and operated by the brewery.

Brauereigasthof
Brauereigasthof

The Gasthof serves a good selection of Bavarian dishes, and was the best choice to enjoy our beer!

IMG_1387For a starter, I had the pickled  pork head (pork head cheese), which was delicious, and was accompanied by sweet potatoes!

IMG_1388The beer that came with it, was dark and full of flavours I cannot describe!

IMG_1385The main course was (guess!) pork in the oven, cooked to perfection, with crispy skin and a light delicious gravy!

IMG_1392This is one of the cornerstones of the Bavarian cuisine, and believe me, as far as terroir goes, it really hits the mark!

IMG_13921The beer that came with the pork was an electrifying  blonde.

IMG_1389What a meal! What a place!

IMG_13851But above all, it was the beer that really made it for me!

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Aufwiedersehen Aying!

Thank you Manoli, Maria, Athina!

P.S. At the time of the visit, the restaurant was recommended by the Michelin Red Guide as “bib gourmand”.